I hand-fabricate all my work using essential metalsmithing tools and techniques, with sterling silver as my primary medium. I’m drawn to silver for its color, tactile quality, durability, and malleability—qualities that continually inspire me.
My artistic practice is rooted in geometric forms, which serve as a visual metaphor for sculptural and architectural exploration. I create wearable sculptures that embody balance and stability, using convex pentagons and both regular and irregular quadrilateral shapes to craft bracelets, brooches, necklaces, and rings.
I begin by imagining my designs as large-scale sculptures, visualizing how they might exist in both indoor and outdoor spaces. This process influences my work, allowing me to explore the intersection of art and function. By translating these sculptural concepts into wearable pieces, I create miniature versions of the forms I envision—sculptures that can be worn as jewelry.
I favor simple, clean, and minimal designs. Rather than relying on decorative elements, I strive to create dynamic compositions through the interplay of negative and positive space or by adjusting angles.
My artistic practice is rooted in geometric forms, which serve as a visual metaphor for sculptural and architectural exploration. I create wearable sculptures that embody balance and stability, using convex pentagons and both regular and irregular quadrilateral shapes to craft bracelets, brooches, necklaces, and rings.
I begin by imagining my designs as large-scale sculptures, visualizing how they might exist in both indoor and outdoor spaces. This process influences my work, allowing me to explore the intersection of art and function. By translating these sculptural concepts into wearable pieces, I create miniature versions of the forms I envision—sculptures that can be worn as jewelry.
I favor simple, clean, and minimal designs. Rather than relying on decorative elements, I strive to create dynamic compositions through the interplay of negative and positive space or by adjusting angles.