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September 8, 2018 @ 10:00 am - October 21, 2018 @ 6:00 pm

Reception: Friday, October 12, 2018 | 7-10 pm

Target Gallery is happy to announce selected artists for Juxtaposed, a group exhibition focusing on the contradictory or conflicting. Whether it be through the use of mixed media or the themes represented, the works in the exhibition are at odds with two or more juxtaposing concepts.

Participating Artists

Miranda Brandon
Nora Burghardt
Theresa Devine
Travis Donovan
Nadia Estela
Ryan Lewis
Brian McClear
Christina Reed
Pam Rogers
Lyle Rushing
Caroline Wayne
Megan White

About the Juror

Megan Rook-Koepsel is an independent curator working in the greater Washington, DC area.  She has served as a curatorial intern at the Rose Art Museum and at the Corcoran Gallery of Art, Graduate Coordinator for the Stamp Gallery and mentor to the Contemporary Art Purchasing Program at the University of Maryland, and as Exhibitions Manager for Arlington Arts Center.  Rook-Koepsel has curated and organized numerous exhibitions in the area including Disidentifications (2009) at the Stamp Gallery; Constructed Place (2010) at Annemarie Garden Sculpture Park and Art Center; WPA SELECT (2014); Homeward Bound (2015) and King of the Forest: Adventures in Bioperversity (2016) at Arlington Arts Center; and Performing the Border (2017) for the Alper Initiative for Washington Art at the American University Museum. Recently, Rook-Koepsel was asked to identify women artists in the DC/Baltimore region for consideration in the upcoming exhibition Women to Watch 2018 at the National Museum for Women in the Arts. Rook-Koepsel holds a BA in Art History from Brandeis University and an MA in Art History with a focus on Contemporary Art and Theory from the University of Maryland, College Park.

Notes from the Juror


:to place (different things) side by side (as to compare or contrast them or to create an interesting effect)[1]

In the language of art and art history ‘juxtaposed’ is a significant word. Any student of art history learns very early on that placing two artworks next to each other can open up incredible ways of thinking and allow us to notice things that we might not have before. Juxtaposing helps to define certain elements, ideas, and styles. Juxtaposed works can reveal otherwise subtle or hidden meanings. Yet the definition of the word juxtapose is a surprisingly simple one. The Merriam-Webster dictionary defines juxtapose as “to place (different things) side by side (as to compare or contrast them or to create an interesting effect).” That’s it. To place things side by side. What can we learn when we place one thing next to another?

The works in this exhibition encompass the subtlety and complexity that can unfold from the simple act of “placing side by side.” Whether it be a literal placement of two disparate visual elements side by side as in the case of Megan White and Nora Burghardt’s Topos series, or Pam Rogers’s Rescue and Contiguous; or the juxtaposition of tone between the visual and the content as in Caroline Wayne’s Pretty Real series, Miranda Brandon’s Erasure, or Theresa Divine’s ‘Til Disability Do Us Part & In Sickness And In Health, these works present a juxtaposition that gives us pause, allows us to access difficult content, and dig into the more complicated meanings at hand.

Many of the works in this exhibition use juxtaposition to present hard truths with which we must grapple. In Ryan Lewis’s and Travis Donovan’s works, for example, juxtaposed elements call attention to identity, and how easily (or not easily) one fits within the structures of our society. Society, and a reminder of the structures of power that continue to plague it, are also on display in Nadia Estela’s Vis Insita and Lex Insita. Lyle Rushing, Christina Reed, and Brian McClear remind us that sometimes what is juxtaposed is our highest ideals as a society—justice, equality, freedom of expression—and the actual lived reality for many of us.

It is my hope that these works, ‘placed side by side’ not only “creates an interesting effect,” as in the dictionary definition of ‘to juxtapose,’ but also provides an entry into the complex, challenging, thoughtful (and thought provoking) narratives that each work brings out through its own juxtaposition, as well as through being placed in context with each other. The dictionary definition of ‘to juxtapose’ belies the incredible depth of knowledge and understanding that can arise from two things placed side by side. The works in this exhibition redefine this simple action into one far more significant.

—Megan Rook-Koepsel

[1] From the Merriam-Webster online dictionary (

Image Credit: Travis Donovan, Skeletor, ceramic, 2017


September 8, 2018 @ 10:00 am
October 21, 2018 @ 6:00 pm
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Target Gallery

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