A talk by Kayleigh Bryant-Greenwell, independent curator, public programmer, and activist.
In collaboration with Target Gallery’s Passages exhibition, Kayleigh Bryant-Greenwell, discusses the effects and influence of diaspora in African-American art. Torpedo Talks feature some of the region’s best-known artists, curators, and creatives. Find them every month at 8 pm during Second Thursday Art Nights.
About Kayleigh-Bryant Greenwell
Kayleigh Bryant-Greenwell, is a Washington, D.C. native and an award-winning cultural programmer with over 10 years of GLAM experience [Galleries, Libraries, Archives, Museums] , devoted to exploring ways to engage with marginalized audiences through art, museum, and social justice practice.
She is a contributing author to the recently published Museum As Site for Social Action [MASS Action] toolkit produced by the Minneapolis Institute of Art. In 2017 she joins the Empathetic Museum initiative in their efforts to increase empathy inside the museum profession. She lends her expertise in equity initiatives and transformational change to these social change programs.
In her new role as Education Specialist with the Smithsonian Institution National Museum of African American History and Culture, she curates participatory public programs focusing on social justice issues, which empower museum audiences to share their own ideas and strategies towards equity.
Before coming to NMAAHC, she contributed to the launch of the Women, Arts, and Social Change initiative at the National Museum of Women in the Arts, as the public programs coordinator. There she advanced feminism advocacy and brokered diverse and creative collaborations between the museum and local activist and arts leaders. Before that she served as an adjunct professor with P.G. College, and as a community organizer with P.G. County Arts and Cultural Heritage. Previously, she served as the visual arts coordinator at Strathmore, where she was responsible for an expansive portfolio of exhibition-based educational programming and a professional residency for emerging artists. Prior to that role, she served as operations manager at the David C. Driskell Center, where she wore many hats in programming, management, and collaborative projects.
As a curator, she has produced several contemporary art exhibitions exploring race, gender, politics, and social issues. She is a frequent juror of national and international art exhibitions and initiatives. She has served in the leadership of the DC Chapter of ArtTable, Inc. since 2014, and currently serves as Chapter Co-Chair.
Her writing has been featured with Americans for the Arts, the American Alliance of Museums, The Washington Times, CBS, and Brightest Young Things, among others. She earned her bachelor of arts in art history from the University of Maryland, College Park and her master of arts in museum studies from the George Washington University.