The color is the first step. Putting colors together intuitively, I use fabric the way a painter might use paint to create graphic compositions that engage the viewer from a distance, yet invite a closer look.
The texture is the second step. The stitching lines provide contrast and dimension to the piece, integrating the different elements into a cohesive whole. I do all of my stitching on a sewing machine, but it is entirely hand driven. There’s no computer program or marking ahead of time. I stitch the motifs freehand using the needle and thread of the machine like a pencil or a brush.