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The nature of my painting is transnational
and non-terminus, often called critical postmodern. Focus
is on multiple aspects of psycho-sociological change. There
is grand illusion, episodes of cluster, a search for elusive
meaning, invention, the peripheral, remarkable, and tonic.
Representative notions are revised within junctures of the
real and excess, parody and abjection, art and its function:
these are balances natural to me. I often displace ordering
principles that stymie or stupefy innovative development.
Examples from the Symphonic Instruments series are
shown.
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